In the context of Patrice Loubier’s “furtive practices” residency at Skol, I designed the door-front signage for the gallery. Skol will be hosting Artivistic’s exhibition in March (some teaser images to come soon), so I was happy to help out and get a chance to test the detail of their vinyl lettering. Yum!
Vision Diversité came to us looking for a visual design for their musical project Arometis that would embody the diversity of the 17 Montreal musicians and composers that collaborated on the album.
Looking to move away from the stereotypes and clichés of the world music genre, we used scans of old wood type lettering, ink splatters and a unique colour palette to reflect the vibrancy of the music, paired with restrained and nuanced supporting typography. The art direction of the CD packaging has been extended across all platforms, giving a cohesive identity to this unique project that weaves musical styles, and musicians, together.
The Cosmodôme is Canada’s only world-class museum devoted entirely to astronautics and space exploration. In advancing it’s mission to “stimulate the interest of the young… to space science, scientific literacy and careers related to the world of astronautics”, the museum is engaging in a massive overhaul of its philosophy and infrastructure, highlighted by the development of three interactive ‘missions’, projecting the visitor into the role of engineer and cosmonaut.
This overhaul includes a stellar (pun-intended) brand platform developed by Parallèle, and in partnership with BBDO/Proximity Canada, I was in charge of the art direction for the new Cosmodôme website.
This year’s issue of Four Minutes to Midnight is dedicated to our favourite festival here in the city; Expozine, Montreal’s annual small press, comics, and zine fair. Celebrating it’s tenth anniversary this year, Expozine has always provided John and I with an amazing venue for us to showcase our work, and welcomed us into a lovely community of support and inspiration. Our seventh issue won the first ever Expozine award for Best English Zine (the first year I was back in Montreal), and since then we’ve been honoured to be a part of the festival, with me hopping on board the organising committee a couple of years back. The DIY ethic of the festival has always appealed to both the aesthetic and politics of 2356, and it has acted as the catalyst for many dear friendships and allies. Given all this, it only made sense that for their tenth birthday, we bake them a Four Minutes to Midnight zine-cake, complete with a gold-foil stamped cover.
The bilingual issue features interviews with Expozine co-founders Louis Rastelli and Billy Mavreas, long-time co-organiser Pascal Fioramore, two essays exploring the independent cultural scene in Montreal by Sebastian Hell and Stefan Christoff, and a 70+ page collage of selected works extracted from the thousands of zines collected in the Expozine archives. Given the immensity of the festival, our selection is obviously biased (ahem, curated…), reflecting themes of personal interest (eg. social anxiety, cats, sex/love, and revolution!). Still, one of my favorite parts of the issue is the near complete list that we compiled of the 1100+ exhibitors that have tabled at the event over the years (set in 5-point type).
Hey Montréal, HUGE week coming up in the indy culture scene here, and I’m really happy to be a part of several events. First up, Howl IV is on Thursday night featuring the beautiful sounds of cellist Julia Kent. The Howl Arts Collective has been working hard over the last year to bring cutting-edge, politically-rooted music to your ears, and this night will close off our concert series for 2011 with an all-woman cast of performers, and a short presentation from the 2110 Centre for Gender Advocacy.
Expozine madness 2009! Photo by Camille McCouat
The main event this weekend is Expozine, of course. Celebrating 10 years running, this year’s event will lead us into the next exciting decade of indy publishing here in Montreal. It kicks off with a launch event at Drawn & Quarterly on Friday, featuring a discussion with the co-founders of Expozine, moderated by yours truly. In parallel, we’ll be launching the 12th issue of Four Minutes to Midnight, a special issue focusing on 10 years of Expozine and independent culture in Montreal.
Expozine itself is shaping up to be really great this year, with almost 300 exhibitors signed up, a reading series by the Greasy Goose Salon, a presentation on women silkscreeners organised by Galerie La Centrale, and an anniversary party at Casa del Popolo on Saturday night. Finally, an official event so we can all get drunk together with fellow zinesters!
And an important reminder to past Expozine participants, the latest issue of FMTM might very well feature some of your work! We’ve tried to contact you all, but you know how it goes sometimes… We’ll have more info about the issue on this website soon, but please swing by our table this weekend and browse through a copy of the issue, if you see your work, the copy is yours to keep! Looking forward to seeing you all there!
I’ve been working with the Artivistic crew for some time now on an exciting exhibition project that will be taking place in March at le Centre des arts actuels Skol. The second phase of our Promiscuous Infrastructures publishing project, it’s too early to unveil the full scope of the exhibition, but I wanted to share a couple of images that I’m currently working on.
Painting by Lindsay Foran
The next concert in the Howl series features Vancouver-born, NYC-based cellist Julia Kent, and local artists les momies de palmeres and Jen Reimer.
Having worked with such artists as Antony and the Johnsons, Angels of Light, Devendra Banhart, and William Parker, amongst many others, Julia Kent has recently released her second full-length solo album Green and Grey, “a new solo record of looped cello, field recordings, and electronics inspired by the intersections between the natural world and the human-created world.” Her music has been described as “cinematographic, melancholy and luminous”, “emotive, up-close and personal”, and we are very honoured to bring her to Montreal, a city which could share these same descriptives.
The concert takes place two Thursdays from now, Nov. 24th at the Sala Rossa, and is co-presented by the amazing 2110 Centre for Gender Advocacy.
More information and RSVP on facebook here.
In light of the occupations/demonstrations happening around the world, we’re honoured to present a very special series of events this weekend featuring celebrated political artist Eric Drooker. Since I first started becoming interested in political art and design, Drooker has been a consistent reference, up there with the likes of Barbara Kruger, Jenny Holzer, and Gran Fury. His work draws on a long tradition of political illustration while expressing an aesthetic vision that is uniquely his own. From his many cover illustrations for the New Yorker to the iconic street graphics he has designed for countless social movements, Drooker’s body of work is infused with a sense of urgent humanism balanced by a healthy dose of celebratory menace.
The first event, Artists Against Apartheid XVII takes place this Friday at Sala Rossa, where Drooker will present a musical storytelling performance accompagnied by projections of his work. This event brings together so many great organisations; including Howl Arts!, the Mile End Poets Festival and Tadamon, in support of the Palestinian people’s continuing struggle for self-determination, and in solidarity with the popular uprisings happening across the globe.
As encouraging as the international momentum building around the Occupy Wall Street movement is, it also raises within me a fair amount of skepticism about its efficacy and sincerity. Ironically, the widespread popularity makes me intrinsically question it, as I guess I’m always more comfortable (or at least used to) working from the margins.
I have not attended any of the general assemblies here in Montreal, so my criticism is more instinctive than anything else. The term “Occupy” also rings false in this context, pointing to a history of colonialism that is embedded in our geography. On the flip side, this same instinct pushes me to at least do something in support of the initiative. I’m all for the creation of a critical dialogue around the systemic inequalities in our society, and in conversation with a friend who was at Occupy Wall Street in NY, I was very encouraged by his account of the maturity of the movement there. The cause is just, and the process-oriented consensus model laid down by the NY occupation is certainly inspiring if it can be carried through to other sites.
So, yes, I’m participating and I encourage others to come down on Oct. 15th to Square Victoria and demonstrate. We can’t build this if we don’t take part.
Though I’m in no way affiliated with the organising of the event, I created the above poster to lend my support and solidarity.
Download the 11×17 version here or the 8.5×11 version here.
—Update—
I also created a Decolonize Montreal version of this poster to address the issues I had with terminology and context. You can download it here.
