Street poster designed for Brahja Wladman’s Quartet (Quintet for the show) double album launch this Friday at Café Resonance. Howl co-produced the album, and I also designed the CD packaging, images coming soon.
The Artivistic collective, FUSE Magazine and Skol artist-run centre, invite you to the launch of FUSE 36-1/Promiscuous Infrastructures ou la lutte pour l’invention de possibles. FUSE‘s first-ever bilingual issue, guest edited by Artivistic, emerges out of the collective’s engagement with the Québécois student strike and social uprising of the past spring and summer, in relation to its ongoing project on “promiscuous infrastructures.” Rather than synthesize what happened or tell people what they already know, Artivistic approached the issue as an occasion to be self-reflexive and critical and to continue the struggle, investigating the (aesthetic) form of the strike, the capitalist history of universities, and contextualising the local anti-austerity struggle with those of allies abroad, and across time.
Join us in celebrating the launch of this special issue alongside local contributors, friends and allies of the Artivistic collective. A limited number of copies of the issue will be available for free at the event, with special offers on subscriptions to FUSE as well as Skol membership.
In this Issue:
ANNE BERTRAND Re-enchanting the Institution
ANNA SHEFTEL et PATRICIA BOUSHEL Translating the printemps érable
CINDY MILSTEIN In the Street for Social Strike
ANNA ADAMOLO Anna Adamolo e l’onda anomala (traduit de l’italien par Eleonora Diamanti)
GRACE KYNE-LILLEY It’s Only Going to Get Worse: A report from London
PHILIPPE ENVER Autant en emporte le vent : Météorologie d’une GGI
MARK PASCHAL Whose University?
KEVIN YUEN KIT LO avec PHILIPPE et NANCY VERMES Atelier Populaire
Projects by THIEN V., FAIZ ABHUANI and ARTIVISTIC
Critiques de / Reviews of:
Insurgence par RONALD ROSE-ANTOINETTE; “Bill 78” by JONAH CAMPBELL, “Artificial Hells: Participatory Art and the Politics of Spectatorship” by AMBER LANDGRAFF; “Porn O’Rama / CTV on TSV” by ANDREW JAMES PATERSON.
This year’s Expozine weekend was another smashing success, with an especially impressive roster of exhibitors, including many new artists and publishers, and a great vibe all around. It seemed slightly less crowded and chaotic than usual, which was nice, allowing people to engage more with the exhibitors. For this year’s edition, in addition to my normal organising duties, I also helped to redesign the website (code by Hello Everyone, full implementation still in progress…), and got to see my new logo silkscreened onto tote bags and t-shirts!
It was so nice to get to see all our self-publishing friends again (like seeing fam for the holidays without the emotional turmoil), and table alongside Billy Mavreas and Larissa from the Concordia Co-op Bookstore. An entertaining (to say the least) set of neighbours!
Though we didn’t have a new issue of Four Minutes to Midnight out for the fair, we had plenty of fun stuff available (pictured above). The Wu-Tang prints were incredibly popular, as was our new set of poems. We completely sold out of Riot and Capitalism Kills Love prints, which makes me feel that all is all right in the world (despite the current news headlines). We didn’t sell a ton of back issues (the Expozine Issue and Happy Hour), but I was really happy to share their stories with those that were interested. John’s Hard Mouse Best Mouse, an EP of quickly written and recorded song sketches, was also a really nice treat.
Expozine 2012 poster by Simon Bossé
It’s that time of year again, the smell of toner is in the air and the copyshops are all a hustle. Expozine is taking place this weekend, and we’re really excited here at Four Minutes HQ. We’ve been working hard to organise the event and put the catalogue together, and things are crazy hectic right now, but this year’s festival promises to be a good one.
Unfortunately, we don’t have a new issue out, but John and I will still be pulling together a few smaller items for you, including a new “chapbook” of 2 poems, a rough-cut CD of music by John/Triangles, and a selection of prints I’ve produced over the last year (I’m very excited about the limited edition C.R.E.A.M. diptych). Of course, we’ll also have previous issues of Four Minutes for sale, including our special Expozine edition from last year!
The exhibitors list this year looks really impressive, and I can’t wait to discover everyone’s new creations and hang out with my fellow zinesters.
Please join us on Friday Oct. 5th for the next concert in the Howl series. We’re very excited to showcase Léopard et Moi and Avec le Soleil Sortant de sa Bouche, two local avant-garde rock ensembles working on the creative frontlines of this city.
Members of both groups were deeply involved in the student strike, and we will also take this opportunity to celebrate the victories of the movement with groups that contributed to the material culture of the strike tabling at the event.
More info on Howl Arts.
RSVP on facebook here.
Tonight, I’m off to Dundee, Scotland to participate in an international artist residency entitled 48 Hour Splash, organised by Sarah Boris, to be held at Dundee Contemporary Arts. I’m honoured to have been invited to this incredible workshop/residency, alongside a group of talented and politically engaged graphic designers, affichistes, and artists, including: Glenn Orton, Siôn Parkinson, Edwin Pickstone, Nancy and Phillipe Vermes (whose book, Beauty is in the street, provides the contextual inspiration for this project), Pascal Colorat, Catalina Quezada Ortega, Constantin Demner, and Sarah herself.
The residency will consist of us working collaboratively for 48-hours straight (from the 7th-9th of August) to create a folio of silkscreen posters that will address our collective socio-political concerns, exploring the medium of the poster as a means of both personal expression and political resistance. I hope to be able to bring the context of the student/social strike here in Québec to the group, and learn from their individual experiences of struggle. I’m particularly excited to get the chance to meet Nancy and Phillipe, whom I sure will have much insight to share from their experiences of May 68.
As the inspiring 2012 student strike expands into a broader social movement, the Howl! Arts Collective will be holding an outdoor concert and artistic intervention, Rêve Général Illimité. The event aims to celebrate the creative spirit in the streets during the Québec student uprsing and to draw attention to, and support for, the ongoing strike.
Rêve Général Illimité will include musical and theatrical performances, visual art installations, a screen-printing station, all inspired by the Québec student strike.
Graphic by Nazik Da
Howl! Arts is very excited to be launching Stefan Christoff‘s musical solidarity project, Duets for Abdelrazik, this coming tuesday at Casa del Popolo as part of the Suoni per il Popolo festival. The project aims to support Abousfian Abdelrazik‘s continued struggle for justice after being jailed (without charge) and tortured in Sundan on the recommendation of CSIS in 2003. For years, he has faced countless assaults by the Sudanese and Canadian governments to both his person, his livelihood, and his dignity. Major grassroots campaigns in the US and Canada led to his return to Canada in 2009, and his eventual removal from the UN’s blacklist in 2011.
The album brings together a host of renowned Montreal-based musicians (including Peter Burton, Rebecca Foon, Radwan Ghazi Moumneh, Norman Nawrocki, and Sam Shalabi) alongside Stefan Christoff on piano for a series of beautiful and inspiring duets that seek to speak to the injustice Abdelrazik suffered, pay tribute to his struggle, and celebrate the victories of grassroots solidarity.