Howl! Arts Festival
I’m very excited to announce the upcoming Howl! Arts Festival—les voix survolent la ville, a celebration of art and revolution. This first edition, taking place over 6 days at the end of April, brings together a host of local artists and events committed to the deepening of community engagement and grassroots activism, with a focus on the struggles of First Nations, Inuit and Metis.
The festival opens with a benefit concert for Missing Justice featuring Odaya, Sarah Pagé and AurorA, followed the next evening by Regards sur le 7eme feu. This 11 musician ensemble performance presents a conceptual work envisioned and composed by Xarah Dion and Stefan Christoff, exploring issues around the future of the North. Other events include a fundraising concert for those arrested under the unjust Montreal bylaw P6 during (and after) the Quebec student strike of 2012, a screening of Alanis’ Obomsawin’s documentary film Hi-Ho Mistahey!, and a panel discussion on the relationship between art and gentrification.
The festival closes with the launch of the 13th issue of Four Minutes to Midnight, which has been almost two years in the making. Much more on that very soon!
The visuals and poster for the festival were created by LOKi design, and printed by Chris at la Presse du chat perdu. The graphic approach was equally inspired by the explosive force of Vorticism, the imagery of a dense city seen from above, and a personal attempt to work with abstraction in a politically coherent way.
More details for the festival on the Howl! website, and on facebook here.
Colloque Recherche-Creation: Demo or Die
I recently presented a talk at UQAM’s Centre des Sciences as part of a conference on the state of Research-Creation. I was invited as a member of Artivistic, but I have to admit, I felt a bit out of my league amongst seasoned academics and artists, addressing a subject I wasn’t sure I quite understood properly. Nonetheless, I tackled it from my own perspective, presenting Artivistic’s Promiscuous Infrastrcutures project, and was happy to contribute to the more action-oriented panel Demo or Die.
You can view the video documentation of the panel below (my talk starts 29 minutes in):
Many thanks to Gisèle Trudel for organising the panel and inviting me to rpesent, and many thanks to my fellow panelists, Mel Hogan, Alexandre Castonguay, Sandeep Bhagwati, and Sally-Jane Norman.
Contre la Charte des valeurs
Working with the FARD (Féministes anti-racistes détonant.e.s) collective, I designed a series of typographic posters in opposition to the proposed Quebec Charter of Values and its inherent racist agenda. Produced as part of the latest issue of the .dpi journal, the goal of the series is to render public opposition more visible within the city’s cultural venues and in the streets.
And We Made The Room Shine
It’s been a while since I’ve posted anything here as things have been very busy at the studio! But this beautiful video from La Blogothèque showcasing intimate performances by Constellation artists showed up in my feed, and I felt compelled to share it. Enjoy!
* Resistance *
Jack Allen pointed me towards this beautiful visual essay by designer and artist Paul Soulellis. In it he narrates and argues for a counterpractice of design that I can very much sympathise with. It’s an inspirational read for the new year, and will surely help to guide how I approach my projects in 2014.
Read it here.
Come Worry With Us!
I was honoured to work on the poster and title designs for Helene Klodawsky’s film Come Worry With Us! The documentary tells the story of one of my favourite bands, Thee Silver Mt. Zion Memorial Orchestra, focusing on the struggles of balancing parenthood with the life of touring musicians. It raises very timely questions around the pervasiveness of traditional gender roles, and the challenges of artists living within a precarious economy. It’s a beautiful, intimate portrait, blending the political and the personal, and I’m really pleased to have been a part of it.
Visit the film’s website here.
Interviewed by Papirmass
Papirmass is an amazing art subscription project run by the talented Kirsten McCrea. I was honoured to have Kirsten invite me to contribute to the upcoming issue, as both writer and designer (with art by former Four Minutes contributor Kevin Ledo on the flip side). In lead-up to the issue, Papirmass has just posted an image-rich interview with yours truly, and I couldn’t be more chuffed to share some thoughts on design, typography and activism!
Read the interview here.
P.S. For those that make it all the way to the end, there’s a little surprise in store on the studio front. More on that very soon…
WU-TANG Letterpress Prints
For Expozine this year, I’ve reissued a run of my WU-TANG C.R.E.A.M. diptych, letterpress printed in gold ink on thick black cardstock by Kiva Stimac at Popolo Press. This edition is printed on her new letterpress, and the imprint is slightly deeper, giving it more relief and emphasizing the epitaph metaphor of the design.
Issue 13 WIP
Things are coming along slowly, but surely, with the next issue (13) of Four Minutes to Midnight and I wanted to share some work in progress images. Alongside a much tighter conception of what we want to do with the issue, I’m very excited to announce that Howl Arts will be officially supporting the project with production and distribution. With this support, we’ve decided to print an offset run in colour for the first time ever! We also plan to engage the talents of local craft printers, and employ letterpress, silkscreen and risograph printing for covers and inserts.